Sketches, my second rant.

Crazy Twins.

I was in England once, they were nice but then it was a nice neighborhood. Not as nice as Ireland, or I guess France. Nicer than Maine or Boston though.

Anyway, this comic is about two famous (by British standards) gangsters in the Sixties. It will run 17 pages when completed.

Any English out there who can tell if this feels right, in dialog or setting?

It's winter and the crickets are dead.

Horrid Knock

I hope to eventually put the whole story online when it's completed; best case scenario, in a new, non blog website. Or more realistically, in one long, clumsy image heavy post here.
Around 6 other pages in this series done so far, more to follow as I get them scanned.

Blanchett

Yellow Robots.

SAXONS!

I Lied.

Been busy, that webcomic isn't happening. Here is the last image my scanner was able to process before turning everything into a green, blurred and stretched mess. Also, happy birthday to me.

Cannibal Queen

Sales in MoCCA for Transhudson were terrible, as in, only one copy got sold in the entire time it was on display. (And that was to a friend) So it is being reformatted with a color cover (the Naked Monster Men post from a while ago) with this as the inside cover illustration.

(Tomorrow Girl and Cannibal Queen copyright 2007 Isaac Moylan and Erik Grove)

Run!

Now weekly

One of the nice things about working with Erik Grove was that he let me have a lot of say in how the characters looked, to the extent that he would sometimes go back and change the characters personality based on my art (he made a character, the Constable, more 19th century English-y after seeing my designs.)

Tomorrow Girl there was more back and forth, he was fine with me making her Hispanic but didn't think I went retro-Barbarella enough. This sketch is me trying to play up those aspects a bit-more revealing costume, a more sci-fi backdrop. Of course, it's a mess. The scanner made everything muddier then it was in the sketch, what she's staring at is an awkward looking giant hand I cropped out.

It still has me thinking that I would like to do more with this character, a weekly comic in color, mostly to get me practicing after a month of waiting for school and this other (possible) project to start.

Color Sketches

City

2 Establishing shots from comics pages I am no longer interested in working on.

A different style

And More

Another, probably the last. Next; something new.

The REAL Transhudson.

The second page of Transhudson #1, to be published in glorious gray-scale, written by Erik Grove.

More Transhudson

1st and last

From the Mocca comic.

MoCCA

I will be selling comics at MoCCA at the SVA booth this coming weekend. Come by, pick up a copy of Transhudson, say hi, mention this site and I'll give you a free sketch. Actually, I'll give out free sketches to those who ask anyway, I'm just interested if this site is being noticed beyond the people I send to it.

Hostile.

The proposed cover to the second issue of that upcoming project, TransHudson.

Exxxploitation

I was thinking of using this for the inside cover, sort of as a companion to the back cover (or the other way around) But the colors are kinda off and I'm not sure about including full frontal nudity in the final publication. What are your thoughts, my imaginary audience?

Naked Monster Men.

Oh, they're both monsters, believe me. The back cover and cover, respectively (without title or credits) for the upcoming project. I share the copyright with Erik Grove.

Mr. Mayhem! designs.

For an upcoming project.

Chop his head off!

Hairlips

As my blog gets slightly more popular, I should cover my ass and just say that, unless stated otherwise*, everything that appears on this site is Copyright and intellectual property of Isaac Moylan.

*like the Hulk sketch.

Scenic Sun-dappled Sepia Sunset in maCedon.

There should be a page between these two, but I think they look good by themselves.

Up to no good

Listen Up!

Propper Artist

Stupid scanner making everything dark...

Industrial

Greek City

Begin!

Cliff Cop

Hulk

Part of what makes my art so transcendently beautifull is that my influences range from Chris Ware to Brian Hitch. (from whom I copied this)

Sketchbook Pages

The thing I admired most about Chris Ware's sketchbooks is how much stuff he packed in there; so many different mediums, colors, subjects... Of course, he's not the only one to do this, he himself was influenced by Crumb, but that sketchbook had a big influence in how I approached my own offhand doodles. Before, they were full of half-finnished pinnups with occasional attempts at drawing backgrounds, now they are...this. Still not much color, and not that much crammed onto the page. But at least I'm saving money on paper.